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Govinda giving us a ‘Happy Ending’

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Saif Ali Khan’s re-entry was a success back in the early 2000s. The hero who had fallen flat in the 90s was seen in a completely new light in movies like Rehnaa Hai Terre Dil MeinDil Chahta HaiHum TumSalam NamasteKal Ho Na HoRace and Love Aaj Kal etcetera. And in movies like Omkara and the likes, he overshadowed anyone else who may have been in the film with him.  Unfortunately, nowadays I feel Saif Ali Khan’s performance is a bleak reminder of the hero he was in the 90s – none of the movies he is doing have any nostalgic value or cinematic value nor have they brought in good business; examples being Humshakals and Bullet Raja. On the contrary, Govinda, who was seen in a negative role in Kill Dil recently, has re-launched himself with a bang, with critics applauding his work. This time, in the movie Happy Ending, Govinda is all set to play for the front-row audience. After all, he’s the king of comedy. Let’s see if they both, Govinda and Saif, got their share of brownies this time! [embed width="620"]http://www.dailymotion.com/video/x27lxrt_happy-ending-2014-hindi-movie-official-trailer-%E1%B4%B4%E1%B4%B0_shortfilms#from=embediframe[/embed] Happy Ending is based on the life of a writer called Yudi (Saif Ali Khan), who published his last book five and a half years ago which turned out to be a major hit. Unfortunately, after that, he couldn’t publish any book and making ends meet became a task. His stardom, as a writer, starts to fade away and then enters a new romantic author in the limelight of the literary world called Aanchal (Ileana D’Cruz). Aanchal gets everything that Yudi once had as an upcoming writer. Soon after, Armaan (Govinda) comes into Yudi’s life. Armaan is the superstar of Bollywood and wants Yudi to write a fresh script (copy of multiple Hollywood blockbusters) for him. Having no other choice, Yudi accepts his offer and starts to alter his lifestyle and terms. The rest of the movie is the journey of how Yudi, as a writer and a person, learns how to end some things and start new things. Performances wise, Saif stands tall and delivers a dependable performance. One can easily recall the comfort he had in the movies Cocktail and Love Aaj Kal. Govinda, as always, is hilarious and owns every scene he is featured in. Nachcho Saaray G Phaar Kay is a song of the film that provided the perfect entertainment to the audience and credit for that goes solely to Govinda. It wouldn’t be wrong to say that if given a good script and the opportunity of outdoing himself, Govinda can still be in the race of the most entertaining actors in the industry. Kalki Koechlin is a revelation, she looks adorable, highly irritating and fits her role perfectly. Ileana is okay too; in fact, she is improving as an actress and is able to handle serious roles quite well. [embed width="620"]http://www.dailymotion.com/video/x28elez_g-phaad-ke-official-full-song-video-happy-ending-govinda-saif-ali-khan-ileana_music[/embed] Ranvir Shorey, who plays Saif’s best friend, delivered some good performance. Some of his scenes are truly amazing, especially, (spoiler alert) the scene where his wife tells him that she’s pregnant. There are some surprise packages in the movie like appearances by Kareena Kapoor and Preity Zinta. Preity has an extended role and she looks good but the fact that she is ageing is pretty obvious. The dialogues are fresh, some of which require reading between the lines, but they go along with the mood of the movie. Content wise, Happy Ending will make you feel ‘happy’ at the ‘end’ of the movie. It’s an entertaining romantic comedy with a few hummable songs. I would rate it a 3.5 out of five on the basis of decent performances, a good script, nice music and lightness of the theme. And no, it’s not based on the American TV show, Californication, which most people think it is.



The demons on my stage

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I was happy, content and so engrossed in the performance that the world ceased to exist for a few moments and then, suddenly, the whole act collapsed right in front of me. The performance ended abruptly. The audience didn’t even get a chance to applaud but I could hear a few startled gasps. People didn’t expect such a hurried finish. It wasn’t just hurried, but sudden and shocking. I went outside to catch some fresh air, hoping and praying to return in a few minutes to experience a dramatic ending to the performance, but I was wrong… they left, never to return. It was disappointing and my hopes dashed ferociously through the gaps between my expectations and the reality that I was actually experiencing standing there. The performers were young, passionate and seemed adventurous. To the audience, they seemed naïve but they were not ‘that’ naïve. As a performing arts enthusiast, I could tell that there was something sinister about the whole troupe. They would come close and seduce me, sending a stench of immorality into my nostrils. They were demonic and ungodly but they were such good performers that I kept drawing closer to them. This was turning into an obsession and I would spend all my time watching them, observing them but one day my conscience told me to stand up and leave. While I was packing my stuff to leave the vile creatures, they surprised me by surrounding me like a mob; one of them even clutched my arm. They told me they loved me and suggested that we snuggle together in sleeping bags, under the moonlit sky. It was cold so I decided to stay but I wasn’t going to allow them to use any more charm on me. I would close my eyes but I won’t sleep. I will be alert and ready to attack anyone who tried to harm me. But the long day and the endless hours of being an audience to this magnificent troupe took its toll and I fell asleep. There were thousands there and all the bodies were humming in silent communication. The Muslims were worshipping Allah, their women, donned in hijab, were facing the Ka’aba, the Hindus were chanting mantras and Christians were confessing their love for Jesus. It was a scene of mystic rites of ancient Gods and I could tell I was part of a momentous event. Slowly, we all woke up only to find the performers back on the stage. The Muslim performers had taken off their hijab. Their dresses were a riot of colours, a union of various cultures and regions. The women were flaunting their well-sculpted bodies and the men were parading the hours put into building up muscles, in sheer harem pants. The whole build up to the final act was enticing and attractive. There was no shame in showing off whatever you had that day. Women, men, the young and old, everyone was fused together in a euphoric event of tripping, swaying and whirling. But it ended all at once. No more dancing or singing; there was no reason to celebrate. The festivities ended and everyone started to go back to their cradles but I spotted them once again, confronted them and unleashed my wrath. A little demon inside me suggested it would be fun to chase them, just to see them run…


Friends or Modern Family, which comedy genre do you like?

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Before I start, let me first explain the two genres of comedy shows. There is the single-camera setup, which has no ‘laugh track’, similar to a regularly shot TV drama. And then there is the multi-camera setup, which is shot in front of a live audience and does have a ‘laugh track’, often contributed by the audience in front of whom it is filmed. However, as times are changing, more and more networks are shifting to extravagant yet easier ways of shooting comedies. And who can blame them? After all, when you have to shoot in front of an audience, you risk a lot. The cost and time needed to continuously reorganise the set as per the script-demands, with the added issue of the joke not being ‘funny’ enough for an audience, could damage the morale of the producers and actors. Actor William Shatner aka Captain Kirk, complained about not getting adequate responses from the audience continuously on his show $#*! My Dad Says. The producers used to run up to him all the time to work on the joke again until the audience finally laughed. Imagine Captain Kirk having trouble pleasing his audience! Also, with the advent of amazing shows like Modern Family and 30 Rock, the monopoly of live audience sitcoms has been damaged. The monopoly that started in the late 1980s and remained till the early 2000s, thanks to shows like Seinfeld and Friends, is now somewhat suffering. Here are the awards shared between your single-camera setup comedies (without a laugh track) versus multi-camera setup comedies (with a laugh track) between the years 2000 and 2014.  I have taken data from the two awards that matter most in television: the Golden Globes and the Emmys. [caption id="" align="alignnone" width="600"] *LT stands for ‘laugh track’ or multi-camera setup shows. No LT means ‘no laugh track’ or single-camera setups. **GLEE is not necessarily a comedy but the award category says musicals and comedy.[/caption] The single-camera setup shows have enjoyed their overwhelming success. In fact, when it comes to the Golden Globes, the multi-camera setup genre has not won a single award. But is it fair to judge a show based on just a couple of awards? No. Not at all. In fact, I for one enjoy the laugh-track loaded sitcoms a lot more. The way the audience changes its expressions and laughs at a good joke is always enjoyable. But the multi-camera setup still packs a punch with its – albeit few – good sitcoms. So what should you go for? Well, it depends. If you want to enjoy great acting combined with amazing locations and a great cast, then the single-camera setup without a laugh track is the thing for you. Shows like VeepEpisodesBrooklyn Nine-Nine and of course, the king of comedy lately, Modern Family, will definitely fulfil your appetite. However, if you have had a dull day and want to laugh like anything (because jokes of multi-camera are funnier) or are short of time, a multi-camera setup with a laugh track is the thing for you. My preference of such shows would be The Big Bang TheoryTwo and a Half MenMelissa and Joey and please, if you haven’t watched it already, you have to watch Friends before all of these shows to really get a taste of a multi-camera show with a laugh track.


Aamir Khan cried because ‘Katti Batti’ was just so (un)moving

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Directed by Nikhil Advani, Katti Batti is a romantic comedy at its core! The plot isn’t ground-breaking or something the audiences haven’t experienced before. In fact, it’s a typical rom-com, perhaps even inspired from a Hollywood romantic comedy, like many Bollywood movies of this genre, repackaged in such a blatantly palpable manner that one can predict the end in the first 10 minutes of the movie, if not five.  [embed width="620"height]http://www.dailymotion.com/video/x2twiin[/embed] So the story goes something like this a middle class young architect Madhav (Imran Khan) is smitten by Payal (Kangana Ranaut) who is looking for a ‘casual relationship’. At numerous occasions, the college boy confesses his undying love to Payal. She keeps shrugging off his undying passion until she eventually gets convinced by his incessant pestering and caves into the idea of a live-in relationship, only to find out that it was the worst decision of their lives. [caption id="" align="alignnone" width="430"] Photo: Katti Batti Facebook Page[/caption] What happens next? Will these two lead characters have a happy ending? Or would they end up living separate lives? Thank me for not divulging any spoilers, for the very few who intend to watch the movie. In terms of acting and screen presence, Kangana Ranaut is extremely natural and comfortable in her role. She has proven herself as an actress by the likes of Queen and the Tanu Weds Manu series, but unfortunately, her brilliance could not shine through because of the convoluted script. [caption id="" align="alignnone" width="400"] Photo: Katti Batti Facebook Page[/caption] Imran Khan too tries hard but it seems he can’t get out of his debut movie Jaane Tu Ya Jaane Na  persona, and acts beyond a college boy in his 20’s. [caption id="" align="alignnone" width="600"] Photo: Katti Batti Facebook Page[/caption] The rest of the cast members are just hanging in the scenes to make the movie progress since none of them deliver any performances which stick out of the mundane mediocrity that is this movie.  The biggest flaw of the movie is that the trailer and the songs make the audiences expect that this movie will send you in throngs of laughter and greet you with a plethora of memorable, quirky one-liners, but let me tell you, this is just a façade. In terms of music, few songs stand out more than the others, specifically Sarphira and Lips to Lips De Kissiya; others just don’t ring a bell or leave an impact. [embed width="620"height]http://www.dailymotion.com/video/x31pra9[/embed] [embed width="620"height]http://www.dailymotion.com/video/x351qfm[/embed] Tushar Ray’s cinematography in the movie is praiseworthy, but the aesthetics in any movie are secondary and doesn’t add anything to the overall feel of the movie, especially when the foundation of the movie is weak. I would suggest you pass the offer to go watch Katti Batti; perhaps you can watch it in the coming months either on a DVD or playing on your television screens. The uneven pacing, poorly constructed dialogues, incoherent sense of direction that even the very talented Ranuat couldn’t salvage it from doom. Audiences will feel totally cheated and wouldn’t bother wasting their money when they walk out of theatres. [caption id="" align="alignnone" width="576"] Photo: Katti Batti Facebook Page[/caption] Thank god, the prior name of this movie, Saali Kutiya was axed or I wouldn’t be surprised if cinema goers pelted the cinema with stones after watching the movie. Now we all know why Aamir Khan cried after watching this movie as well. Since it wasn’t emotionally moving unlike Bajrangi Bhaijaan, this time, he was just worried about his nephew’s future in Bollywood. I would rate it a three out of 10 and that’s me being generous.


10 Pakistani dramas from 2015 that everyone should watch

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2015 was a year filled with lots of emotions, drama and masala for the Pakistani drama industry. We have a set of directors, actors and producers who have always made much applauded dramas, while on the other hand, we have a pool of artists who are always set to bring out taboo topics and make an impact. The dilemma to decide which of the dramas rightfully made it big due to its content and which were given overrated popularity for the love of cast and locations is still unanswered. I feel this confusion will always start a heated debate within the household queens as to which drama should be the best one to win the Pakistani Oscar Drama award. Without any delay, here are some of the dramas that stood-out in 2015! 1.  Diyar-e-Dil [caption id="" align="alignnone" width="600"] Photo: Diyar-e-Dil- Facebook[/caption] With a cast so strong, there is absolutely no way that the audience would not be hooked to the drama serial after the trailerDiyar-e-Dil, is a story of a broken home where Abid Ali as Agha Jaan had caused the family to break away when he rejected his son’s wish to marry someone else other than the girl chosen for him. [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] Diyar-e-Dil revolved around domestic matters and at some points, stirred emotions in families sitting at home but I feel the drama, overall, lacked provoking content. Yet, the viewers loved Agha Jaan and his gorgeous grandson! 2.  Mera Naam Yousuf Hai [caption id="" align="alignnone" width="600"] Photo: Mera Naam Yousuf Hai - Facebook[/caption] Mera Naam Yousuf Hai is a story of fierce love, hatred, money driven characters, pain and sacrifice for love. The drama touched upon the conflicts and hypocrisies of the society, where one’s parents are involved in plotting the evil. With actors such as the charming Imran Abbas, beautiful Maya Ali and the most talented Hina Bayyat, the drama had to be nothing but a success. With such a strong script and fierce story, it was really impactful as the audience was captivated throughout by the separation of the forbidden lovers and waited to watch them unite. So if you feel you’d like to relive the classics of all times like Sassui Punnhun and Heer Ranjha then you must add this to your watchlist of dramas! 3.   Nikah [caption id="" align="alignnone" width="600"] Photo: Nikah - Facebook[/caption] It has become a culture prevalent in our society to get our children married off before they go abroad to study. But what happens if you grow up and have a different set of ideas, priorities and taste? Well, this is an issue portrayed in this drama. This serial is best for people who crave family drama, revenge and romance!  4.   Alvida [caption id="" align="alignnone" width="600"] Photo: Alvida - Facebook[/caption] This is for the romantics out there! What do we want more than a couple with great chemistry? The Dil-e-Muztar couple has set fire to the screen again with yet another enthralling performance and a great story. The villains of the drama made the serial hard hitting and interesting. The psychotic thrill by Zahid Ahmed as Rameez added the twist in the simple love story. Not only Rameez but also Fareesa was a well thought character that made this serial a hit! 5.  Aik Thi Misaal [caption id="" align="alignnone" width="600"] Photo: Aik Thi Misaal - Facebook[/caption] This is the tale of a child who comes from a broken family, Misaal is abandoned by her mother and then is mistreated by her father as both the divorced parents are busy in their own lives with spouses and family. This drama gained a fair share of popularity for its great theme! This serial opened a window for the audience to have soft and empathising corner for those children who have suffered and are in need of care. The character, Misaal, is the epitome for such children. Whereas some dramas made it to the charts there are a handful of dramas that will touch the core of your hearts and are simply unforgettable. Here is my list of the most impactful dramas that were outstanding in their way: 1.  Kaanch Ki Guriya [caption id="" align="alignnone" width="600"] Photo: Kaanch Ki Guriya - Facebook[/caption] The analogy in the name is very interesting as it depicts a woman who faces hardships and is fragile enough to get shattered like a mirror. It is the story of a young cheerful girl who comes to live with her maternal family to convince her grandfather. It is a tale of family ties, revenge, corruption, innocence and positivity. The protagonist depicts a girl who needs love and acceptance in a family that hates and disapproves. The tragedy happens when the protagonist’s grandfather dies and the question of wealth comes up. This serial is a beautifully plotted story, very well executed. A great drama that stole hearts and support throughout! 2.      Mumkin [caption id="" align="alignnone" width="600"] Photo: Mumkin - Facebook[/caption] Mumkin means possibilities. Mumkin, was a drama with good content as it showed sacrifice, love, jealousy and how a mother acts and reacts when her husband abandons her. The conflict of jealousy shown between two step sisters (later revealed) is an added angle to the controversy of the story. This story has soul like no other sentimental drama and is truly a remarkable serial. 3.  Khuda Dekh Raha Hai [caption id="" align="alignnone" width="600"] Photo: Khuda Dekh Raha Hai - Facebook[/caption] With Bushra Ansari in the lead, the story is about a dominant religious woman who is an extremist in her values and raises her daughter in a conservative environment. This drama has questioned the social norms of society. The daughter, Sajal Ali, is married to a bad household where the husband is uncaring and an alcoholic. Not only did this serial give the audience a closer look into reality, it was very powerful in terms of story, acting and direction. 4.   Zid [caption id="" align="alignnone" width="600"] Photo: Zid - Facebook[/caption] This is an uncelebrated drama. Zid advocates the freedom of right and how to use them. The protagonist is rebellious, outrageous and headstrong, which leads to conflicts with her inner self and society. All in all, I feel this drama was a great personification of all modern day trapped 25-year-old girls who wish to pursue their careers and want to find their own love. They are bull-headed; they question society and challenge the norms and values of the status of traditional women in Pakistan. This was a very strong modern story showing how unacceptable liberalism is within old school women. Unfortunately, it didn’t do as well as it should have! 5. Sangat [caption id="" align="alignnone" width="600"] Photo: Sangat - Facebook[/caption] There are some dramas that you watch just for entertainment, and then there are some that just take a part of your soul with them. Such dramas are the ones that you give your heart and mind to; Sangat is part of that category. The drama set the bar high for a great storyline, powerful characters and a well-planned plot. Saba Qamar, Mikael and Zahid Ahmed are the leading trio. The queens at home surely loved this!


10 things Morning Shows did in 2015 that we don’t want in 2016

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2015 was no different from the previous years if we talk about the morning shows in Pakistan. Morning shows have emerged as one of the mandatory pillars without which an entertainment channel cannot stand amidst others. This trend has taken a good number of years to penetrate into our daily lives and this trend has no threat of going extinct any time soon. From nine o’clock in the morning till 11 o’clock, the slot is fixed for these shows. Sometimes the stretch is to 11:30 am or even 12:00 pm on some channels, every Monday to Friday. The hosts of these morning shows claim that they blow new energy into their viewers every morning and every episode is a rejuvenation dose for their followers. Their popularity particularly amongst housewives proves as a reiteration of these claims. I, however, beg to differ! All these morning shows could be anything but ‘new’. Nothing in them is new or even close to being new or innovative in nature. From Good Morning Pakistan to Satrungi; from Subah Savery Samma Kay Saath to Jago Pakistan Jago, all the channels fail to bring forth content that is new, unique and refreshing. Morning show teams compete in a race to become the best and the pressure to grab the highest Television Rating Points (TRPs) boggling their minds reaches the limit that their heads seize to function rationally. The more they try to become unique, the more they produce content that is clichéd and has already become a trend. Today around 15 national channels, including both entertainment and news, run their own morning shows and all of them seem to follow particular trends and themes. Let’s have a roundup on all the highlights and trends of morning shows of 2015. 1.      The return of old faces 2015 can correctly be called a ‘homecoming’ year for the pioneers of the contemporary morning show hosts. Disappearing from Geo TV soon after a morning show fiasco in 2014, Shaista Wahidi returned to Hum Network without making much noise. Her reason to leave was of a serious nature. Back in 2014, she hosted a wedding week themed show for Veena Malik and a controversy triggered when the effort to do things differently went way too off the track. http://www.dailymotion.com/video/x1uqupt_veena-malik-shadi-wedding-with-asad-utho-jago-pakistan-shaista-lodhi-geo-tv_news http://www.dailymotion.com/video/x1vblko_shaista-lodhi-apologize-after-veena-malik-rukhsati-in-utho-jago-pakistan_people Religious sentiments were aroused in some segments and the matter got controversial which led her to flee from Pakistan. But now she is back with renewed energy to take Sitaray Ki Subha to new heights. The happy-go-lucky Nadia Khan aka ‘Miss Happy To You’ took a long break from TV and parted ways from hosting for many years , but year 2015 saw her reunite with Geo Network in November as she re-launched The Nadia Khan show. Nadia promises to deliver a morning show that would stand out from the rest and won’t be an imitation of the formats other leading morning shows follow. Let’s see if what she brings to her audience is new or not! 2.      Not everybody can pull off a morning show [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] 2015 left us with some realisations that no matter how much we like to watch morning shows or we simply loathe them, to be a morning show host is no easy job. It looks all fun and no work but it in reality it requires a lot of hard work and consistency and not everybody can be a good morning show host. We witnessed Bushra Ansari do a morning show for Geo TV for a couple of months. From Aangan Terha to Loose Talk to Saima Chaudhary, we know the versatility in acting Ansari is gifted with but that couldn’t work with being a morning show host. Similarly former news anchor, Madiha Naqvi couldn’t perform well as a morning show host for all.  3.      Wedding weeks From chiffon lehengas to well-coordinated dancing, the weddings on a morning show have all the ingredients of a contemporary desi wedding that you may be given an illusion of a real wedding just being played on TV. From mayon to mehendi to baraat and concluding valima, everything from the beginning to end is covered in a wedding week. Many morning shows have these themes as a permanent part of their show that is stretched upon weeks at times instead of just one week. I have been trying to comprehend the purpose of these themes since their inception and my constancy at failing is parallel to the consistency with which these themes are repeated and adapted by even more channels. Maybe, the idea of getting married is alien to our people and their morning shows are just trying to help get the people acquainted with the very concept of ‘marriage’.  How I utterly fail to understand the need of such shows. 4.      Let’s remarry the already married Some morning show hosts try to innovate upon the brilliant idea of showing a wedding on a live show that they somehow convince celebrity couples who have already been married for years to play as bride and groom and then happens the re-enactment of the big day just to literally re- live their memories.  5.      Any expecting celebrities around? Let’s throw them a baby shower. There have been days when morning show hosts are tired of their jobs and need to do something to fill the two hour slot, they get paid for. So they scout for a belly with a bump in Pakistan’s land of fame. If the hunting succeeds, they kick off the celebrations for the mom-to-be. The set is painted all pink if it’s a girl, blue if it’s a boy and a mix of both if the gender is still a secret. https://www.youtube.com/watch?v=4Wrc9yFHaWw 6.      Mirror mirror on the wall, which morning show make girls fairest of them all? A woman cherishes her beauty and that certainly is her right. But does beauty necessarily mean to be as white as snow? If any part of Pakistan was left uncontaminated with the flawed notion of ‘fair is beautiful’ then the morning shows in 2015 would definitely have carried this message forward. Asian skin is meant to be Asian not European; I never knew it was so hard of a concept. [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] 7.      Bored of wedding weeks? Let’s do it differently! Let’s hunt a groom down! Be it aunties next door or morning show hosts, weddings are on their minds. The team of Good Morning Zindagi morning show thought to stand out by finding a suitor for film actress Laila. Potential suitors from all walks of lives competed in different rounds to prove themselves best to win Laila’s coveted heart. Weeks of entertainment passed by with an anti-climactic end to it when actress Meera’s brother who wasn’t even a competing suitor conquered Laila’s heart. http://www.dailymotion.com/video/x2j6vbt 8.      Aamir Liaquat’s journey from Aalim Online to Subh e Pakistan [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] Seeing Saahir Lodhi being the only male morning show host in 2015, Dr Aamir Liaquat jumped in to give him some competition. Dr Aamir seems to be enjoying to experiment with different ways to adhere to our TV screens and what could be a better opportunity than to be a morning show host. Let’s see if with him as a morning show host, we see morning shows evolve in 2016 or not.  9.      Fortune telling? Yes, please! [caption id="" align="alignnone" width="600"] Photo: Sugar Pop[/caption] Morning shows which are new and want to have a firm footing in this race of TRPs make sure they have a segment of fortune-telling either in form of horoscope, palmistry, tarot card reading or numerology. Our society that already has an external locus of control is given another opportunity to project their shortcomings onto fate; conveniently brushing away responsibilities of their deeds off of their shoulders. 10.   Cruising away in Istanbul. Newest addition to the morning show trend is Sunrise From Istanbul on See TV that is recorded in Istanbul. The show is hosted by Maria Wasti in a boat; where the ambiance is adorned with Turkish singing, Turkish cuisine and a chilly breeze over the rippling water along with a friendly chitchat with the guest without the interruption from live calls or other on-set distractions. This show is simple in its content and the format is contrary to the conventional morning shows. [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] Here is a quick list of morning shows of 2015 that were somewhat similar in terms of themes and content: Subh e Pakistan - Amir Liaquat Hussain [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] Subha Ki Kahani - Madiha Naqvi [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] Utho Geo Pakistan - Bushra Ansari [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] Sitaray ki Subha- Shaista Wahidi [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] Good Morning Pakistan- Nida Yasir [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] Nadia Khan Show- Nadia Khan [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] Jago Pakistan Jago- Sanam Jung [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] The morning show with Sanam Baloch- Sanam Baloch [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] Satrungi - Javeria Saud [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] ATV Morning with Farah [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] Morning with Juggun [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] Subha Bakhair Pakistan (Capital News) [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] Subah Savery Samma k saath- Saahir Lodhi [caption id="" align="alignnone" width="600"] Photo: Facebook[/caption] And that’s the wrap folks! Here is to hoping that year 2016 is a year of improvement, rational content and moving-forward but not that of stagnation for the morning


Siachen: Taking theatre to the peaks of greatness

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I read somewhere if you continuously compete with others you become bitter, but if you compete with yourself you become better. Anwar Maqsood definitely believes in this because he has outshone his previous plays Pawnay 14 August, Sawa 14 August and Dharna with his latest Siachen. http://www.dailymotion.com/video/x3baauf Siachen has outdone every brilliant quip and taken this theatre performance to the peaks of greatness! The director Dawar Mehmood doesn’t reveal anything beyond the vague prelude ‘about 20,000 feet away from God Himself’ on the play’s Facebook page. It is the story of a group of soldiers stationed above the clouds, showcasing their struggle in sub-zero conditions, far away from their loved ones. The play grew in momentum on social media, which motivated me to watch it. [caption id="" align="alignnone" width="600"] Photo: Siachen Facebook page[/caption] I reached the venue dressed warmly as advised by the play’s Facebook page. The play engrosses the audience immediately with soldiers pumping adrenaline with their patriotic satire; our aide-memoir to Anwar Maqsood’s unique genre. The enemy (an unknown voice) is heard by all in the auditorium with taunts  like ‘India is better at cricket’, prompting witty quips from the soldiers and fits of laughter from the audience. [caption id="" align="alignnone" width="600"] Photo: Siachen Facebook page[/caption] The play delights with its brilliant use of auditorium space – as dreams seen by soldiers and letters being read by their family members are positioned all across the hall in different spotlights. This varied use of space maximises the engagement of the viewer, not allowing the attention to wander away from the jocularity of the dialogues. I was particularly intrigued by the way the soldiers cracked jokes at each other’s expense. The Captain although was spared the brunt of their banter because of his rank. On one occasion though this reverence is overlooked with a jibe:

“Sir agar aap kaptaan na hotay tu kisi ne nahi hansna tha.” (Sir, if you hadn’t been a Captain no one would have laughed)
One scene put me in stitches: the surprise entry of an Indian Bihari soldier, as he unsuccessfully tried to convince the group that he is from Pakistan. [caption id="" align="alignnone" width="600"] Source: Siachen Facebook page[/caption] Anwar Maqsood maintains his signature by paying tribute to the epitome of all loves: the mother’s love. This is very emotionally celebrated when Karim Khan remembers his mother one last time as he receives shahadat (martyrdom) at the hands of the enemy. Do take tissues, everyone, you will need them. The play ends with an acappella-style rendition of the national anthem, which is hauntingly beautiful and fills the heart completely with its simplicity. [caption id="" align="alignnone" width="600"] Source: Siachen Facebook page[/caption] The director does need to take into account the eye levels of the audience seated at varying heights of the auditorium. The scenes in which one or two actors climbed up the peak to deliver dialogues at the raised height were hard to see by the audience members seated in the back rows. Siachen is a spectacularly tangled mass of emotions overlapping one another. It’s a dance of emotions which preys on our sensitivities and sensibilities with the strongest of impact, keeping us in stitches and tears concomitantly. The play’s duration is 90 minutes and its ticket will set you back Rs.1500. [caption id="" align="alignnone" width="600"] Source: Siachen Facebook page[/caption] It is scheduled to run till the end of January at the Arts Council in Karachi. I would suggest you guys go see it as soon as you can!

From Gilgit Baltistan to New York: Leo was lucky to escape the death cells that are Pakistan’s zoos

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On a random Wednesday morning, I ended up strolling inside the Bronx Zoo in New York. Don’t ask me what I was doing at the zoo on a weekday, but I’ll tell you this: Wednesdays are free for visitors. Yes, this was a cheap move, but I was actually only having a stroll to see if this is a place I can bring my younger nieces to, should they visit me coming summer. At the Bronx Zoo, I met another visitor from Pakistan that I wouldn’t have imagined I would meet even in my wildest of imaginations. Hold on to your breath, I’ll introduce him later. The Bronx Zoo is divided into sections that represent different habitats around the world. It is  designed such that the focus of the zoo is for it to be an educational institution for children and not a money-making frenzy. I happened to be walking down the mountainous region when I came across a label reading “Pakistan”. I walked two steps ahead before I realised what I had just read. I retreated two steps back. “Leo” was looking right at me as I stood in front of his enclosure staring back at him. He was a fully-grown snow leopard that had been rescued as a cub from the northern mountains of Pakistan and brought to the Bronx Zoo. We both hadn't been home in a long time so we just stood still and had our little moment. Neither of us blinked and it almost seemed like one of us will initiate a conversation. I had so much to ask him about his journey but even Google couldn’t have helped me speak the leopard language. I wanted to know how he escaped death from local villagers that caught him and ended up being shipped to New York with his new American name ‘Leo’. [caption id="attachment_75873" align="alignnone" width="600"] A snow leopard at the Bronx Zoo, New York . Photo: Julie Larsen Maher/WCS[/caption] I ended up spending the most time at this particular enclosure even though we weren't doing much except looking awkwardly at each other. Leo was probably confused about why I refused to walk away like all the other spectators he entertains throughout the day. I wish I could have explained to him that we share some history at least. Perhaps I should have been upset that he was brought here, a place that isn’t exactly his home. But I was actually glad that he was. He may have been dislocated and brought miles away from home but he is probably still better off living here with some rights than back in Pakistan with none at all. Looking at Leo made me think about the animal cruelty that we grew up watching in zoos of Pakistan. A zoo in itself, no matter how well maintained, is an infringement of animal rights, but this is a debate for some other time. For now, if we are to accept a zoo as a home for rescued animals, there have to necessarily be regulations on how to treat the animals. Pakistan unfortunately is still struggling to give basic rights to its civilians, let alone creatures that can’t speak a word for themselves. In Pakistan, a zoo is run constantly keeping in mind the profit margin; nothing else matters. If the audience wants to see a tiger up close, then a tiger up close is what they will get. A mini squared enclosure with a cement floor and big black bars with absolutely no sign of a natural habitat is the equivalent of a creature left to die within concealed walls with nowhere to hide. Lions and tigers are among the top attractions for Pakistani viewers. Unfortunately for them, with more popularity comes tighter spaces for the animal to move in, in order to ensure that they are constantly in display for the public. These mammals are put under such duress that they frantically start walking back and forth within their confined spaces. The public gets a thrill in seeing a ‘beast ’ pacing so close to the bars but this abnormal behavior is actually among the signs of a condition in animals called ‘zoochosis’. Unknown to the public, the animal is mentally suffering. [caption id="attachment_75874" align="alignnone" width="600"] South-African giraffe dies only a couple days after being shifted to Lahore Zoo. Photo: Express[/caption] I looked back at Leo, as he took a big wide yawn sitting on a rocky terrain built specifically for him to replicate his style of living. He is in good shape and sits at a comfortable distance from the viewers. The enclosure is spacious enough to allow him to move out of sight and sit in peace should he please. His comfort is clearly the priority here and his interests are put before those of the audience. Back in Pakistan, however, the cruelty doesn’t just end on the completely irrational enclosures. Suzi, the popular elephant in the Lahore Zoo woke up each day to entertain thousands of viewers and die a little herself. She was brought to the zoo before I was born in 1992. The first time I saw her, I was too young to remember much. The second time I saw her, I was 15. The third time, I didn’t even get a chance. She had given up on her lonely life. [caption id="attachment_75869" align="alignnone" width="600"] Suzi raises her trunk as a group of zoo visitors pet her. Photo: Ayesha Mir/Express[/caption] Suzi lived 25 years alone never seeing another of her own kind, yet zoo officials “could not confirm the cause of death”. For 25 whole years, she suffered among the heartless souls who saw all signs of her deteriorating health but chose instead to turn a blind eye to it. Only after she took her last breath did the Lahore Zoo officials think it would be a good idea to bring a “pair next time”. Yes, there is always a “next time” in this part of the world. Leo meanwhile has become a father. The label next to his enclosure encapsulates his entire family tree while a screen on top has images of his son, Khyber, growing up in custody of the zoo. In only eight months, Leo’s little champion has grown up, hopping from one rock to another amid crowds that love him. https://www.youtube.com/watch?v=UV4OW1ds9O4 In this same time span, eight months last year, a leopard cub, two cheetahs, a lioness, a black buck, a hog deer, a camel and an elephant gave up on life in the death cells of Lahore Zoo. [caption id="attachment_75936" align="alignnone" width="600"] 10-year old Simba the lion was found dead at Karachi Zoological gardens in January 2018. Photo: APP[/caption] The director of the Lahore Zoo insisted that death was a “natural process” and why wouldn’t it be when the animals are put in cages designed to ensure they have little left to live for. If Pakistani zoos lack the funding to provide basic necessities to animals, then there is no purpose to have them at all. It is not at all justified to watch animals suffer for our own pleasure. Their habitat is already invaded by our ever-growing population; the least we can do is provide them a half-decent home in our zoos. I was brought out of my thoughts realising I had spent far too much time there and I had to move on from Leo’s enclosure. Minutes had passed by without a word but a promise had been made. I will make a futile attempt to be a voice for those still alive or rather left on a dying clock in the zoos of Pakistan. I owe this much to Leo and his kind back home.



With Zidane back on the sidelines, will Real Madrid make the most of the summer transfer window?

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For much of the 2018-19 season, Real Madrid’s campaign has been driven by pessimism and trepidation. From mediocre performances on the field to a lack of purpose off it, the Los Blancos found themselves entrenched in a diatribe with a swathe of negative opinions from fans and critics alike.  But the return of the clubs’s favourite son Zinedine Zidane after his dignified exit nine months ago has cut through all the noise, at least for the time being. Zizou’s work is cut out for him as the rebuilding job at a club like Real Madrid, with extremely high expectations, won’t be an easy task by any stretch of the imagination. https://twitter.com/kevinchimuka/status/1113392173150502914 However, unlike towards the end of his last tenure, Zidane will have financial backing from the club. A report from The Independent claimed “Real Madrid president Florentino Perez has promised Zidane an expensive overhaul,” immediately after the Frenchman’s arrival. A few days later L’Equipe’s front page (titled Casino Royal) stated that: “Perez is ready to show faith in Zidane to turn the ship around by giving him a €500 million summer budget.” If Madrid are keen on spending heavily in the upcoming summer transfer window, they will have to do it wisely, bearing in mind their current expectations and without compromising future ambitions. Defence Real Madrid’s defence is, arguably, the least concerning aspect of their squad. Sergio Ramos and Raphael Varane might not have had the best of seasons, but they still form a formidable pairing in the centre of defence. But with Ramos aging and especially if Varane decides to leave, Madrid would need adequate replacements in order to beef up their backline options. Looking at the options, three names stand out in particular. These include Napoli’s Kalidou Koulibaly (27), Inter Milan’s Milan Skriniar (24) and Ajax’s Matthijs de Ligt (19). [caption id="" align="alignnone" width="600"] Kalidou Koulibaly during the Serie A match between US Sassuolo and SSC Napoli at Mapei Stadium - Citta' del Tricolore on March 10, 2019 in Reggio nell'Emilia, Italy. Photo: Getty[/caption] All three have no obvious weaknesses and possess the ideal skill set expected from a defender (strength, positioning and ball playing skills), supplemented by the fact that they are young enough to be part of the club for a very long time. While Madrid would be happy to bring in any one of these players, Skriniar would be cheaper as compared to the other two, considering the absence of a release clause in his contract with Inter. [caption id="" align="alignnone" width="600"] Milan Skriniar of FC Internazionale competes for the ball with Danny da Costa of Eintracht Frankfurt during the UEFA Europa League Round of 16 Second Leg match between FC Internazionale and Eintracht Frankfurt at San Siro on March 14, 2019 in Milan, Italy. Photo: Getty[/caption] The 24-year-old also offers an added dimension of having played as a defensive midfielder with the Slovakian national side, and consequently can provide cover on two positions while also aiding in-game tactical switch. Midfielders Real Madrid have a substantial amount of talent in the centre of the park, with an impressive blend of young (Marcos Llorente, Fede Valverde and Dani Ceballos) and experienced players (Luka Modric, Toni Kroos and Casemiro). In order to cater to an aging Modric and take off pressure from Kroos, Madrid need a couple of additions to their midfield. However, they don’t need to spend heavily in this regard as the players they have loaned out – James Rodriguez to Bayern Munich and Mateo Kovacic to Chelsea – will be ideal suitors. Rodriguez’s incisiveness in the final third, both in open play and dead ball situations, will add creativity in central positions. This is of particular importance because a majority of Madrid’s attacks are wing-based, which is why the Colombian’s presence will stretch opposing defences and bring more unpredictability going forward. Also, through his quotes in the press, the midfielder has also indicated that there is no love lost between him and the Spanish giants, despite being left frustrated for playing time under Zidane previously. [caption id="" align="alignnone" width="600"] James Rodriguez of FC Bayern Muenchen controls the ball during the Bundesliga match between FC Bayern Muenchen and 1. FSV Mainz 05 at Allianz Arena on March 17, 2019 in Munich, Germany. Photo: Getty[/caption] Kovacic might not have had the best of seasons at Chelsea, but he can still play a vital role in The Whites midfield with his ability to play line-breaking passes; a trait which is of pivotal importance, especially against many La Liga sides who like to sit deep and defend. Also, the Croatian’s best time in Madrid colours came while playing under Zizou, which makes a strong case of having him back in the Spanish capital. [caption id="" align="alignnone" width="600"] Mateo Kovacic of Chelsea in action during the FA Cup Fifth Round match between Chelsea and Manchester United at Stamford Bridge on February 18, 2019 in London, United Kingdom. Photo: Getty[/caption] Forwards Ever since the departure of club legend Cristiano Ronaldo, the talk surrounding Real Madrid’s attacking pedigree has shown no signs of subsiding. Since the departure of the Portuguese, the goals have significantly dried up for the Los Blancos and hence the need for some clinical finishers in front of the goal is, probably, more than ever. Talking about forwards, one player that has constantly been linked with Real Madrid is Chelsea’s Eden Hazard. Although there is no doubt about the Belgium international’s footballing prowess and he will also be a seamless fit at Real, signing him now, at the age of 28, would mean the club shelling a lot of money in return for only two to three peak years. While it would be unfair to totally rule out a move, the club should only consider Hazard as a fall-back option. [caption id="" align="alignnone" width="600"] 31st March 2019, Cardiff City Stadium, Cardiff, Wales; EPL Premier League football, Cardiff City versus Chelsea; Eden Hazard of Chelsea looks back at a missed chance. Photo: Getty[/caption] Moving on, Paris Saint-Germain’s (PSG) Kylian Mbappe, despite being an ideal solution to Real Madrid’s goal scoring troubles, is a long shot considering his massive price tag. Although there are plenty of rumours in the transfer market regarding his move to Spain, the French club will go all out to keep the 20-year-old star at the club, keeping in mind the fact that he is at the core of their European ambitions. [caption id="" align="alignnone" width="600"] Kylian Mbappe of PSG celebrates a goal during the Ligue 1 match between Paris Saint Germain and Guingamp at Parc des Princes on January 19, 2019 in Paris, France. Photo: Getty[/caption] Taking into account all the factors and realistic options available on the market, Real Madrid will be better off if they work on the lines of signing Liverpool’s Sadio Mane and Inter Milan’s Mauro Icardi. Mane’s pace and technical ability has been part and parcel of Liverpool’s success in the past couple of seasons, and he will add a lot of potency to Real Madrid’s attack. Although he has played mostly as a winger for The Reds, if need be, he can play in a more central role as a striker as well. In Mane, Madrid will find a willing worker, who can track back and help out with defence and also link up well with Marcelo Vieira on the left wing. [caption id="" align="alignnone" width="600"] Sadio Mane of Liverpool FC runs with the ball during the Premier League match between Liverpool FC and Tottenham Hotspur at Anfield on March 31, 2019 in Liverpool, United Kingdom. Photo: Getty[/caption] On the other hand, Icardi has stacked up some great numbers for his Italian club with his lethal finishing. He may not participate much in build-up play but his positioning and movement in front of the goal is particularly impressive. Real Madrid have been guilty of creating lots of chances but not converting them during the ongoing season, but Icardi’s signing should go a long way in changing that. [caption id="" align="alignnone" width="600"] Mauro Icardi of FC Internazionale scores the second goal during the Serie A match betweenGenoa CFC and FC Internazionale at Stadio Luigi Ferraris on April 3, 2019 in Genoa, Italy. Photo: Getty[/caption] To Madrid and Zidane’s advantage, being knocked out of the title race on all fronts is somewhat a blessing in disguise, as it gives them additional time to plan for the future. But the 13-time European Champions will have to be clever with the way they go about their business in the transfer market, before it builds up more scar tissue against their name as a formidable force in the world of football.

Why is the US making a mountain out of the Masood Azhar molehill?

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The United States has introduced a United Nations Security Council (UNSC) resolution to blacklist Masood Azhar as an international terrorist. Azhar is the leader of Jaish-e-Mohammed (banned in Pakistan since 2002) and has been blamed by India for masterminding February’s Pulwama incident, even though no evidence has been produced which links Azhar to the incident. China has refused to list Azhar as an international terrorist after careful consideration of the definition of international terrorism according to international law. China has made this position absolutely clear and as such, it would appear that the US is looking to transform the UNSC into a place of high stakes geopolitical theatre, because China’s veto of the US resolution is inevitable. The US therefore is using the internationally immaterial issue of Azhar in order to provoke tensions between China and India at a time when the ruling Bharatiya Janata Party (BJP) is already invoking blood-curdling Sinophobia in further attempts to rally the jingoist Hindutva vote. But this is not all that the US is doing. Washington is also provoking and in fact insulting Pakistan by suggesting that a local matter is worthy of wasting the UN’s time, even after one of the permanent members of the Security Council has made its position unambiguous. As if on cue, India’s jingoistic media kicked into high gear suggesting war against China. Meanwhile, members of the BJP and the Rashtriya Swayamsevak Sangh (RSS) continue to call for a boycotting of Chinese goods. When it comes to Pakistan however, America’s willingness to inflate the international importance of Azhar makes it clear that the US is willing to risk productive relations with Pakistan in order to both placate India and to goad India into an even more extreme position vis-a-vis China (not that the BJP needs much help in this respect). Although the US has admitted that Pakistan’s role in the Afghan peace process is crucial, beyond this, the US has clearly made its decision in terms of a long term strategy in South Asia. While some US diplomats will feign attempts at a balanced South Asia policy, the reality is that India is now a key US strategic partner. US diplomats at the UN will happily do India’s bidding, even over a matter as absurd as trying to convince the world that Azhar is an international terrorist when legal precedent says otherwise. Pakistan must adjust its own expectations accordingly. While it would be imprudent for Pakistan to provoke any superpower, the message that Washington is not so subtly sending is that when it comes to a superpower partner, China is the singular key to Pakistan’s prosperous future, while the US is becoming little more than a puppet master helping direct flagrant Indian aggression against China. This is all the more reason for Pakistan to take a more assertive role in the Afghan peace process. As the country most directly affected by Afghanistan’s prolonged status as a failed state, Pakistan has no excuse not to emerge as an international leader in driving forward an all-parties peace process. Any idea that Pakistan should merely shadow the US in respect of the peace process should now be put to rest, as it is clear that the US has India’s strategic desires at heart and that, by comparison, Pakistan’s security needs come a very distant second or even third. The reality Pakistan must now face is that whilst America’s priorities in the South Asia during the 80’s related to containing Afghanistan to the West and the Soviet Union to the North, today the US is squarely focused on provoking China and for this, India will remain a key ally of Washington. All that Pakistan must now do is acclimate itself to a new reality where China’s all-weather friendship will grow in stature and material importance while the US will be willing to insult, debase and ignore Pakistan as though the events of the 80’s never occurred. This post was originally published here. 

Knock knock! Annabelle is coming home and things are about to get real scary

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Following the Marvel path, The Conjuring universe has grown steadily over the last six years through both, the increasing returns that most films in the franchise have delivered and in stature through the critical acclaim that the first two Conjuring movies received. Now five movies in, the franchise is showing no signs of slowing down with a third Conjuring film already set for 2020. But before that, we’re getting another Annabelle movie. And this one promises to be much different than its predecessors. [caption id="attachment_81026" align="alignnone" width="600"] Photo: IMDb[/caption] Annabelle Comes Home, which will serve as the sixth film in the Conjuring franchise and the third Annabelle film, does not take the prequel route like Annabelle: Creation did. Unlike the first Annabelle, which was widely panned for being a rudderless and aimless production, this film shifts the focus directly towards the Warren family – the paranormal investigators played by Patrick Wilson and Vera Farmiga who served as the protagonists of the first two Conjuring films. [caption id="attachment_81027" align="alignnone" width="600"] Photo: IMDb[/caption] The first trailer, which came out recently, sprinkles a handful of jump-scares throughout its two and a half minute runtime and the film more or less appears to centre on an artefact room where the Warrens keep the demonic doll. However, soon enough the doll begins turning up in strange places and much to the surprise of the Warrens, so do the other artefacts. The weight of this is felt by the Warren’s 10-year-old daughter, Judy, and her friends who seem to be at the centre of the latest Conjuring film. [caption id="attachment_81024" align="alignnone" width="598"] Photo: IMDb[/caption] By all accounts, Annabelle Comes Home seems like a much more small-scale film as compared to its predecessors which were much more expansive in scope. And though the Warrens are back, they don’t seem to have a central role in the film in the same way as their daughter does. This is promising because it means that perhaps this time the focus will be on a tightly-constructed narrative, which is where horror films work best. [caption id="" align="alignnone" width="600"] Photo: Screenshot[/caption] As evidenced by the trailer, it’s perhaps also safe to assume that this film won’t just be about the titular doll but will also focus on some of the other haunted artefacts in the Warren family’s possession which, if anything, may provide the producers with a few more ideas for some future spin-offs. In the context of this film though, it will undoubtedly add to the scares. This is something that producer James Wan has confirmed when he essentially described the film as being Night at the Museum with an evil doll because of the various haunted artefacts that will be activated in the film. [caption id="attachment_81031" align="alignnone" width="600"] Photo: IMDb[/caption] The good thing is that Annabelle Comes Home seems to channel all the elements that have made the Conjuring franchise such a big success, which provides the viewer with something to look forward to. After straying away from the central narrative and focusing on aimless origin stories, the franchise seems to have finally learned its lesson. With Annabelle Comes Home, the focus seems to have been shifted back towards the scares and, in a blatant but smart bit of fan-service, the filmmakers have brought back two of the franchise’s most beloved characters, even if it’s in a supporting capacity. That said, only time will tell if the latest installment in the Annabelle saga matches up to the Conjuring movies, which at present, stand head and shoulders above the other films in the franchise. [caption id="" align="alignnone" width="600"] Photo: Screenshot[/caption] Annabelle Comes Home hits cinemas on June 28, 2019.

India’s ‘Operation Isolation’ and the soft power of sports

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“Our message is stronger than ever. Please stop the fighting. Please stop the killing. Please drop your guns.” Juan Antonio Samaranch, President International Olympic Committee speaking at the Winter Olympics, 1994. The sports arena has often been used in modern-day diplomacy to advocate for peace, but it has also been used to aggravate existing conflict. George Orwell wrote in The Sporting Spirit (1945) that sports is “war, minus the shooting” and has the potential to bring out the worst characteristics of nationalism. How that is controlled, or even amplified, is in the hands of those who hold the political controls.  In the days following the Pulwama incident, tensions once again began to escalate between Pakistan and India. While India’s very first reaction was the imposition of a heavy economic sanction, many of the responses which followed came in the form of sports sanctions, primarily impacting something very close to the hearts of people on both sides: cricket. The fourth edition of the Pakistan Super League (PSL) became the primary target of the increasing hostility and vitriol. Prominent Indian-owned media companies and broadcasters, including IMG Reliance, D Sports and CricBuzz, terminated their contracts and coverage of the tournament, leading to a virtual PSL blackout in India. The Board of Control for Cricket in India (BCCI) also came under extraordinary pressure from prominent Indian sporting personalities, media outlets and ordinary citizens, to boycott the upcoming Pakistan-India match at the cricket World Cup (June 2019). https://twitter.com/YusufDFI/status/1097384109200928768 https://twitter.com/MinhazMerchant/status/1099007211689467906 Outside of cricket, other sports have also been effected. It is suggested that Pakistan supplies 90% of the hockey sticks used in India, and would suffer heavily from an increase in customs duty of 200%. As a result, the hockey fraternity in India would have to quickly find new suppliers who could match the demand, as well as replicate the quality from across the border. The Shooting World Cup, which was taking place in New Delhi a week after the attack and was intended to be an Olympic qualifier, also got dragged into the conflict when Pakistani athletes were not granted visas to participate in the tournament. Further economic sanctions would come later, followed by military responses, but it appears that the use of sports sanctions was going to kick start this ‘Operation Isolation’. However, these sanctions did not prove to be effective in isolating Pakistan on the sports field. We saw the PSL replace its distributors almost immediately and have yet another successful edition. Regarding the World Cup, wide coverage of the discussions between the BCCI and the International Cricket Council (ICC) were made public, including copies of the communication between the two bodies. It is clear that the ICC and the organising team of the World Cup do not condone any political battles being played out on the cricket pitch. https://twitter.com/TimesNow/status/1098065107693625344 Perhaps the most surprising stance came from the International Olympic Committee (IOC) in response to Pakistan’s plea regarding the Shooting World Cup. Not only did the IOC revoke the tournament of its Olympic qualification status for the particular discipline, they further went onto suspend all discussions with the Indian government regarding hosting future sporting events in India. The IOC also recommended that all international federations should refrain from hosting any international sporting events in India until written guarantees are provided assuring participation of all athletes. This may prove to be a landmark ruling from the Olympic governing body, which has traditionally not taken such a publicly strong stance on political matters. This is especially true as the initial plea was only to do with the shooting event. However, India is no doubt going to work to revoke this suspension as quickly as possible, even if it means salvaging its ties with Pakistan. Failure to do so could mean that a number of its hosting rights and bids would be up on the chopping block, including the FIFA Under-20 Women’s World Cup (2020), the Hockey World Cup (2022/2023) and ICC Cricket World Cup (2023), among others. https://twitter.com/mehreenzahra/status/1098830460862558208?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1098830460862558208&ref_url=https%3A%2F%2Fblogsdesk.tribune.com.pk%2Fapplication%2Fwp-admin%2Fpost.php%3Fpost%3D80906%26action%3Dedit This of course is not the first time tensions have escalated between the two neighbours, nor is it the first time that the field of play is used for sanctions to be deployed and political statements to be made. India-Pakistan cricket relations have been turbulent ever since they kicked off in 1952. There have been many positive outcomes where both countries have hosted each other on multiple occasions and opened up their borders for citizens to travel in support of their teams. At the same time, boycotts from governing bodies and protests from ordinary citizens have also had the opposite impact on cricket and other sporting ties between the two nations. The Indian cricket tour to Pakistan (2004) is considered as one of the four most prominent acts of sports diplomacy, with the ‘Christmas Truce’ of World War I (1914), where German and British soldiers were said to have held informal sessions of casual football on Christmas day, being number one. Even outside of the subcontinent, sports have always been a feature of international diplomacy, albeit a more subtle one. We have seen countless protests and boycotts when it comes to international sports, such as the Black Power Salute (at the 1968 Olympics), America’s boycott of the 1980 Olympics during the Cold War,  the Soviet Union’s boycott of the 1984 Olympics, and the international sporting boycott of Apartheid South Africa. However, it would not have been difficult to foresee the potential for sports to have these impacts when the Olympic movement was first initiated. After all, it was developed on the sole idea of using sports to encourage and improve peace among the warring kingdoms in Ancient Greece. The way international sports are conducted and covered today, indicates their potential and ability to bridge gaps between nations. With massive potential to be used as a catalyst in international diplomacy and break barriers, the power of sports can only be as strong as the will and commitment of our global leaders. In an era where hard power is frowned upon by the international community, governments are increasingly inclined to use alternative modes of diplomacy, sports included, to achieve their political goals and shape their international image. If we, the people, can understand the relationship between the two, then we can also influence its impact. This isn’t the first time sports have been used to convey and act upon undertones of conflict and hate, and it unfortunately won’t be the last. For now, we can be aware of how these actions relating to the field of play can be used to condition or influence certain emotions within us, and also pray that our leaders use the pitches and courts to help us come together, rather than to push us apart.

When khudkushi became her only freedom

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The sky was a pool of black ink, dusted with stars at midnight. Arsh looked out from the window — she saw many little streets sprawled out below. She had only known these streets from inside the walls of her room. She had never walked on them. She had never been under the open sky. She looked at these streets longingly. To her, these streets and everything else of the outside world was a distant dream. Arsh was thinking about him. He came again tonight. Her caramel skin flushed bright pink as he folded her into his arms. Her heart fluttered as his fingertips grazed her bare skin. She had never felt so close to a man before. Over the years, many men held her, touched her, felt her — but he was different from all the others. She fell in love with him. She waited for him each night. She longed for him, as any lover would. On the nights he didn’t come, she was restless. She waited for him till she saw him next, till he told her how beautiful she was. As she stood by the window and watched darkness engulf the sky, she decided she’d tell him what she felt for him. Maybe he’d take her away somewhere far. Maybe he’d relieve her of this life. Overhead, a star blinked in the dark sky, as if telling her it was time. The morning sun filled the brothel. It was bright inside. Arsh slipped into plain white clothes and went downstairs. The morning is always bright. It’s the night that’s dark. It’s always the night that’s dark.  “Arsh!” Farnaz called, with a cigarette clenched in the corner of her mouth. “You look happy! I’ve never seen a bigger smile on your face.” “I’m going away,” Arsh said in low voice, so that nobody else could hear. Farnaz laughed. But then her eyes were suddenly wide with concern, and her skin shone pale under the gleam of sunlight. “You know you can’t go away,” Farnaz said quietly. Arsh smiled in reply and bustled away. The rest of the day, she was tangled in her thoughts. She didn’t even know his name but she knew he was the one who’d save her. The world glittered with promise. “Take me away!” Arsh whispered into his ear. There was a steely glint in his eyes. “Please take me away!” Arsh’s voice crackled at the edges. He slapped her so hard her teeth rattled. “You’re a whore,” he spat. Arsh swallowed everything else that she had to say. The words dried up in her throat. It was near dawn but Arsh was wide awake. She looked into the mirror, her dark eyes sunken in an ashen face, stared back at her. Her lips were stained in a dark, blood-like red. Her hair, black and velvety like the sky at midnight, carelessly tumbled down her back. Her angarkha, heavily embroidered in gold and silver threads, danced around her when she moved. 'A whore,' she thought. She felt sparks of resentment cascading in her as she looked at herself. She felt angry. But then her anger melted and she started crying. And as a tear caught in her lip, she realised her lipstick was smudged at the corners. His words filled her head. They were sharp, piercing—they cut through her like knives. Even after he left, the word ‘whore’ twisted inside her. It crushed her. It tinted her entire existence. It was a small word but it encompassed a bitter world — a whore’s world. Arsh had endured years of abuse. There were different men in her bed each night. They treated her like an object. They used her and then discarded her. She was perceived as an unthinking, unfeeling being. Her existence only sparkled in the dark hours of the night. They forgot she was human too. She looked at the faded sky from the window. She spread out her hand towards the sky, trying to reach for it. It was close but far away. Maybe just like the man who she thought would save her. Khudkushi (suicide). The word echoed against the big, bare walls of the brothel. Its weight settled on all women who lived inside. It grew heavier and heavier, thicker and thicker, folding them in, needling them all over. It hung in the air, sharp and poisonous. 'Khudkushi,' they murmured in small voices, afraid not to say it out too loud. They didn’t want anyone else to hear. A silence spread in the brothel, full of fear and anticipation. It was suddenly dark inside, and empty despite the people. Outside, the day shifted from morning to night. And the air smelled of earth and ash and rain. And faintly of death. Arsh took away her life. She cut her wrists and bled to death. For her, death wasn’t just an end—it held meaning. It meant freedom. It meant floating somewhere far, untethered. It meant relief from a corseted existence. Khudkushi became Arsh’s freedom. She finally fled from a life she did not want to live.

Iran and Iraq may not be tourist hot spots, but they offer a spiritual journey like no place else

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I was recently invited to a trip to Iran and Iraq by a group of close friends from Lahore, and as I had never been to these states before, I decided to take the opportunity to visit the shrines frequented mostly by Shia pilgrims. After all, how else was I going to be able to travel through war-torn Iraq (where the Islamic State has only recently been defeated) and gain access to the heavily sanctioned country of Iran? Mesopotamia – the cradle of civilisation and home to many Imams of the Islamic world – has been off-limits to most ordinary tourists since the days of Saddam Hussein. We took off from Lahore and a few hours later found ourselves landing in Baghdad, the famed city of The Arabian Nights. The airport was small and run-down, and we had to wait for at least two to three hours for our group visa to be cleared. We waited patiently and entered Baghdad at dusk; there were palm trees galore and the roads were smooth enough. Our excitement was mounting as we headed straight for the illuminating shrine of Ghous Pak (Sheikh Abdul Qadir Jilani). We paid our respects at the beautifully lit white shrine, ate the delicious langar (communal meal) of rice and chicken (provided by a Pakistani family from Faisalabad) and then headed to our hotel. We felt more than welcomed to a city founded on the west bank of the Tigris in 762AD by the Abbasid dynasty. [caption id="" align="alignnone" width="600"] The beautifully illuminated shrine of Ghous Pak[/caption] [caption id="" align="alignnone" width="450"] The door to his shrine[/caption] [caption id="" align="alignnone" width="419"] His final resting place[/caption] We stayed at Hotel Palestine, which is located near the ancient Tigris River, with a colourful history of its own; it was a favourite among foreign journalists during the Gulf wars and had been shelled! [caption id="" align="alignnone" width="600"] View of the Tigris River from Hotel Palestine[/caption] There are roadblocks all over Iraq and paramilitary forces with armoured vehicles can be seen on all major roundabouts. The receptionist at our hotel smiled and clapped joyfully when she discovered we were Pakistani and gave us comfortable rooms (our recent military standoff seems to have made them happy). Baghdad looks like it is stuck in an 80's time warp – the buildings all seem to be from that era. However, most of the debris from the bombed-out infrastructure has been removed. We found it to be a bustling city with crowded restaurants and bad traffic jams. We crossed the Tigris River many times, the last one being to visit the shrine of Persian mystic Mansur al Hallaj. He is known for his saying, “I am the Truth”, which many saw as a claim to divinity resulting in his execution, while others saw it as an instance of annihilation of the ego. [caption id="" align="alignnone" width="450"] The tomb of the Persian mystic[/caption] We also visited the burial place of Abu Hanifa, the founder of the Hanafi school of Sunni jurisprudence. However, the highlight of our Baghdad stay was the visit to the north of the city to Kazmain, where Imams Musa al Kazim (AS) and Muhammad al Jawad (AS), both direct descendants of the Prophet (PBUH), are buried. [caption id="" align="alignnone" width="600"] Outside the Ziyarat of the Kazmain Imams in Baghdad[/caption] This is a world famous shrine and one of the most important mosques in the Islamic world, with a huge gilded dome and four minarets rising above its courtyard, all covered with gold, Kufic inscriptions. There are canopied balconies, mirror mosaics, glazed tiles, and endless floors of marble. The final resting places of all the Imams buried in Iraq, we were to discover, were equally awe-inspiring. The shrine was very crowded during our visit and there was a long walk to it as it has been bombed in the past, which is why the nearby streets had been cordoned off. [caption id="" align="alignnone" width="600"] Armoured vehicles and soldiers guarding shrines are a common sight in Baghdad[/caption] The other highlight of our Baghdad visit was to the 2,000-year-old Persian monument Taq Kasra, or Arch of Ctesiphon, the world’s largest brick vault. Somehow it has survived all the recent wars and is truly a sight to see, given its immense scale and elegance. Taq Kasra is located near the shrine of Salman al Farsi (RA), a companion of the Prophet Muhammad (PBUH) and the first Persian to convert to Islam. [caption id="" align="alignnone" width="450"] Taq Kasra[/caption] On our last day in Baghdad, we headed to the ancient town of Samarra to visit the 10th and 11th Imams, Ali al Hadi (AS) and his son Hasan al Askari (AS). Both are buried in a heavily-guarded shrine, which has been bombed twice in recent years and had to be rebuilt. Adjacent to the mosque is another domed building built over the cistern where the 12th Imam, Muhammad al Mahdi (AS), disappeared; hence the title of the Mahdi, the Hidden Imam. [caption id="" align="alignnone" width="600"] The last place Imam Mahdi was seen[/caption] We were sorry to leave Baghdad – there was much to see and such little time – but we had to move on to Karbala, where rain greeted us. Powerful energy emanates from this city, the burial place of Imam Hussain (RA), the grandson of Prophet Muhammad (PBUH), near the place where he was martyred during the Battle of Karbala in 680AD. Within the shrine of Imam Hussain (RA), we found the mass grave of all 72 martyrs of Karbala who fought and died alongside him, despite the heavy odds they faced. We soon joined the thousands of people jostling to enter the Ziyarat. Opposite is the shrine of his brother, Hazrat Abbas (AS), who was also martyred during the Battle of Karbala by Yazid’s men while bringing some water from the Euphrates River for the Prophet’s (PBUH) family. There is a lovely walkway lined with palm trees between the two shrines, and we often went there to sit and pray as our hotel was nearby. [caption id="" align="alignnone" width="600"] Hazrat Abbas (AS) shrine glistening as the sun sets in Karbala with the walkway in front[/caption] Our next stop was Najaf, and luckily our hotel was located right next to my favourite Ziyarat: Imam Ali’s (RA) resplendent shrine. He is considered the father of Sufism, as almost all Sufi orders claim their descent from him. [caption id="" align="alignnone" width="450"] Imam Ali's (RA) shrine in Najaf[/caption] [caption id="" align="alignnone" width="450"] The entrance to the shrine[/caption] After visiting his peaceful shrine, we went to Kufa to see the great mosque, one of the oldest in the world, where Hazrat Ali (RA) was struck by a poisoned sword and passed away after two days. We visited his simple but elegant house next to the mosque (thankfully preserved by the Iraqi government) where his body was washed before being buried in secret. Imam Ali (RA) had earlier dug a well in his house and even today one can drink its healing waters. [caption id="" align="alignnone" width="600"] The Great Mosque of Kufa[/caption] [caption id="" align="alignnone" width="600"] The house in Kufa has been preserved by the Iraqi government[/caption] Our final stop was the city of Mashad in Iran, home of the eighth Imam, Hazrat Ali Reza (AS), whose shrine is really the heart of the city – all roads lead to his Ziyarat! We took a short flight from Najaf to Mashad, which is the second most populous city in Iran. Mashad means the place of martyrdom; Imam Reza (AS) was poisoned by Caliph al Ma’mun. A fact I learned during my journey is that none of the Imams lived to an old age – all were poisoned or assassinated. Imam Reza’s (AS) ornate shrine is enormous, with its many courtyards and mosques, and is considered the Vatican of Iran, run in an efficient and orderly manner. It is also gorgeous, with its Persian carpets and crystal chandeliers galore. We were lucky enough to eat from the shrine’s famous langar and enjoyed the Imam’s hospitality! [caption id="" align="alignnone" width="600"] The underground crypt where people can pray and meditate[/caption] Mashad is a clean, modern city, and feels like it could be anywhere in Europe, except all the women wear long black chadors. Before we knew it, our visit was over, and tired but rejuvenated we found ourselves on the plane back to Lahore. There were so many memories to treasure and so many adventures to retell. Iraq is slowly recovering from war and getting back on its feet, and I would recommend everyone to go visit this fascinating country alongside Iran, regardless of your religious beliefs. As we were told wherever we went, “Ziyarat qubool.” (May your pilgrimage be accepted) (All photos by author)

Rawalpindi: A chaotic labyrinth, caught between heritage and heresy

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In the post-modern world, the topography of the city has undergone a drastic shift. Rapid urbanisation and growing job opportunities have resulted in many cities in the developing world being swamped by an increasing number of people coming in from the villages and suburbs. In order to accommodate this burgeoning populace, the intrinsic structure of the modern metropolis has had to evolve. Countries such as India and Pakistan have had to grapple with the dual ambitions of wanting to urbanise their cities while also wanting to hold onto their rich architectural heritage. The complex history of a multi-ethnic country such as Pakistan has been razed to the ground in order to erect soulless towers to replace the colonial monuments which have served as a reminder of our turbulent past. [caption id="attachment_81733" align="alignnone" width="600"] Heritage building encroached on by local traders at Jamia masjid road.[/caption] Rawalpindi is an example of a city wrestling with these two seemingly dichotomous aims. On the outskirts of the Rehmanabad Metro station lie some old houses with large verandas and an edifice which is almost reminiscent of the homes in Downtown Abbey. Erected in the early 1960’s, they adorned the city with their marvellous porticos and the locality came to be known as Satellite Town. During the time that Islamabad was being built as the nation’s new capital, Satellite Town functioned as a diplomatic enclave of sorts, with many embassies located there. The Victorian-style houses were thus built to accommodate foreign dignitaries residing in the city. [caption id="attachment_81748" align="alignnone" width="600"] A night view of Jamia Masjid Rawalpindi which was founded in 1905.[/caption] Over the years, however, as Islamabad became the diplomatic hub, Satellite Town found itself shrinking in importance, and the neighbourhood was consumed by a city which was expanding at an unprecedented rate. The old houses of the locality now stand like ghostly relics of the past. [caption id="attachment_81678" align="alignnone" width="452"] Chan bazaar, Rawalpindi.[/caption] [caption id="attachment_81734" align="alignnone" width="450"] A view of Raja Bazaar road.[/caption] In a house on Sadiqabad road lives an old engineer who has closed the gates of his house, along with his heart, to the outside world. The resident is Afzaal Ahmad, a man who comes from a distinguished family of army personnel. While looking at his old photographs, Ahmad recounts: “The Rawalpindi I was raised in was a marvel, an image straight from the British calendars. Smooth clean roads, small markets, coffee shops along with a nice book shop (London Books company), low traffic and an orderly crowd.” [caption id="attachment_81736" align="alignnone" width="600"] The main entrance of the Afzaal Ahmad's house.[/caption] [caption id="attachment_81737" align="alignnone" width="600"] Old magazine ads from the collection of Afzaal Ahmad.[/caption] [caption id="attachment_81745" align="alignnone" width="600"] Rawalpindi's Kashmir Road in the 1960's. From the records of Afzaal Ahmad.[/caption] The markets at the time were quite small and there was only one major road in Saddar at the time, Mall Road, which catered to everyone's needs. Ahmad recalls that the famous road had a hairdresser, a laundry shop and few clothing outlets as well. He adds: “I remember most of my classmates in Station school were British or Anglo-Indians. Anglo-Indians were considered to be the most educated after the British. I still remember this one Anglo-Indian traffic sergeant who used to roam around alone on Murree road. People were so afraid of his discipline that they wouldn’t cross the road until he had gone away.” [caption id="attachment_81738" align="alignnone" width="600"] Backyard of the house.[/caption] [caption id="attachment_81743" align="alignnone" width="600"] An old building occupied by partition migrants in Saddar.[/caption] For Ahmad’s generation, and the ones which followed, things took a downward turn after Zulfiqar Ali Bhutto came to power. Fearing the consequences of nationalisation and increasing religiosity, many foreigners fled the country. The Anglo-Indians too fell prey to this and many migrated to America and Australia. The resultant vacuum gave rise to a new emerging class of locals who had a different mentality. They were hungry to tear down the old to make way for the new. [caption id="attachment_81744" align="alignnone" width="338"] An old temple in miserable condition in Moti Bazaar.[/caption] [caption id="attachment_81749" align="alignnone" width="475"] A name plate outside a house in Dhakki mohallah, Angat Pura.[/caption] Rawalpindi as a city has always had a storied history. Punjab has been ruled by Graeco-Bactrian Kings and later by the Sakas, Iranian nomads, and in 1765 Sardar Gujjar Singh controlled the area which is now called Rawalpindi. The city remained under Sikh rule till 1849 when it was taken over by the British. Hence, this land has had many identities, and one can find linkages to an extraordinary past through the city’s buildings and districts. [caption id="attachment_81679" align="alignnone" width="600"] A view of Moti bazaar, Rawalpindi.[/caption] Despite the removal of the Sikh Raj, the Sikh community remained an integral part of the cultural fabric of Rawalpindi till 1947. Their remnants are still visible in Kartarpura, Angatpura, Arjun Nagar, Mukha Singh state, Old Banni and adjoining areas. The city was predominantly influenced by Rai Bahadur Sujan Singh whose haveli (house) still stands in the old Bhabra Bazaar. Rawalpindi at one point in time was a jewel, a unique blend of both old and new architecture. Over the years, people that have been allotted these vacant properties have damaged them due to sheer negligence, and today these buildings are but a shadowy reflection of their former glory. [caption id="attachment_81739" align="alignnone" width="600"] An old pre-partition haveli in Saidpuri gate trying to save its colors from the wrath of the modern age.[/caption] [caption id="attachment_81741" align="alignnone" width="600"] A colonial style balcony on College Road, where famous Indian actor Balraj Sahini grew up.[/caption] Rawalpindi today is a chaotic labyrinth. Building laws and municipal regulations are virtually non-existent. Politicians and profit-driven land owners have given local municipal authorities the approval to demolish heritage buildings and sites. Commercialisation has trumped heritage. Heretics have squashed history. Rawalpindi still has the potential to become the epicentre of regional heritage, but only if preservation work is begun immediately. Today, the view from the metro bus offers a gloomy look at a frenzied skyline onto a city which does not know what it wants to be because it has forgotten what it once was. (All photos by author)

Raw and poignant, A Place for Us beautifully sheds light on familial love

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It had been some time since I cried while reading a book. And A Place for Us changed that. Fatima Farheen Mirza’s dazzling debut novel tells the story of a South Asian Muslim family living in America. The family members find themselves torn between discovering their individual selves, while also grappling with their respective roles within the family. As a result of living in a deeply polarised American society, the characters in the novel are in a constant battle with themselves, their family and the world around them, each looking to find relevance, liberty and peace. Interestingly, one of the main talking points with regards to this book has been Sarah Jessica Parker's involvement in its publication. The Sexy and the City star chose Mirza’s novel as the first book to be published under the Parker imprint for Hogarth publications. A Place for Us begins at the wedding celebrations for the family’s eldest daughter, Hadia, in California. The occasion, however, is made all the more special due to the youngest child and only son, Amar, coming back home after having fled three years ago. The story thus revolves around the circumstances which led to Amar’s estrangement from the family and the narrative is interspersed with memories from the parents, Rafiq and Layla, and their children, Hadia, Huda and Amar. What I found particularly inventive about the narrative was how the story unfolds through the point of view of a host of different characters, with the same memory often being shown through different perspectives. We are thus able to see how the same moment impacted each member of the family in a wholly unique manner. Mirza beautifully brings to light the nature of familial love, which can be limitless and unwavering, but also envious and petty. The depiction often seems like that of a typical diaspora family, with parents trying desperately to instil both Muslim and South Asian values in their children and encouraging them to speak their native language at home. The author explores the subtle dynamics of the household, from the siblings safeguarding each other’s secrets, to the family following Islamic rituals and customs like fasting in the month of Ramazan and observing Muharram. But that’s just the feel-good part of the book. What is heart-wrenching, poignant, and particularly relevant for our part of the world is how Mirza explores the pressure parents tend to put on their children. South Asian parents often have their own expectations from their children, insisting that they must be obedient, unquestioning Muslims and top performing students who go on to become either doctors, engineers, lawyers or entrepreneurs. The novel attempts to illuminate how pitting children against one another, failing to acknowledge past mistakes and the inability to express love can tear a family apart. Hence, when Amar leaves, a part of Rafiq and Layla’s souls also leaves. But by then it’s too late to mend their broken ways. Perhaps the saddest thing in the world is to see your child leave you because of your own mistakes. Not feeling at home with your own family is a tragedy, one which Mirza renders beautifully on the page. And so, I cried when the family was torn apart because of secrets, betrayals, and the smallest of estrangements which could no longer be brushed under the carpet. The last section of the book, told from Rafiq’s perspective, is absolutely devastating. The feelings of an emotionally-reserved father, who falls prey to his own shortcomings, are expressed in a remarkably raw and affecting manner, which is quite an achievement for a debutant writer. Mirza has done a truly commendable job at penning down the story of a family over decades, and it is no surprise that her novel has received great critical acclaim. The recurrent themes of children trying to find their own identity and parents trying to protect and understand their children resonate at a deep level. After this stellar debut, one hopes that Mirza is able to pack the same amount of authenticity into her next novel, one which I am eagerly awaiting.

Sea Prayer by Khaled Hosseini: A father’s lament of the barbarity we call human beings

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“My dear Marwan, I look at your profile, In the glow of this three-quarter moon, my boy, Your eyelashes like calligraphy, Closed in guileless sleep. I said to you, ‘Hold my hand. Nothing bad will happen’.” These are a few verses from the context of Sea Prayer, the fourth book by Khaled Hosseini. Hosseini is a well-known author of three books, including the international bestseller The Kite Runner, and is the Goodwill Ambassador to the Office of the United Nations High Commissioner for Refugees (UNHCR). Sea Prayer is a 40-page book, or rather, a free verse poem beautifully complemented by Dan Williams’ illustrations. It can best be described as a small prayer to the sea by a helpless father on a moonlit beach, who is going to cross the Mediterranean with his child as soon as dawn arises but in less than ideal circumstances. The story begins with the remembrance of the happy days spent by the father in Homs, Syria when the city was at peace, with its bustling and crowded lanes and streets. Of a time when the stirring of the olive trees and clanking of pots used to awaken him, and when this city of western Syria was not dismantled by bombs, starvation and death. The father wishes for his son to remember some of the more pleasant memories of Homs. The story has been inspired by the three-year-old Syrian boy Aylan Kurdi, whose body washed up by the sea on the shore of Mediterranean Sea in 2015 as he fled the Syrian War. While talking in an interview, Hosseini became teary-eyed even as he remembered seeing the photograph of Kurdi. “I was gutted,” he says. “I tried to imagine, as a father, what it must be like to see viral photographs of your deceased three-year-old lying face down on the sand at the water’s edge and being lifted into the arms of a stranger.” He also stated, “I hope that this book Sea Prayer is a small tribute not only to his (Kurdi’s) family, but also, on a broader level, I hope it highlights the unthinkable despair that thousands of other ordinary people face every day to abandon home and community and take a chance on this brutal and often lethal journey across the sea.” Hosseini thus pays tribute to Kurdi’s family through his Sea Prayer, while portraying the tragic and wretched condition of millions of refugees all over the world with help of Williams’ illustrations. The beautiful memories of Homs are like a dream now, not only for the son but also for the father. Protests followed by the atmosphere of fear and beleaguerment, the black skies showering bombs and bullets instead of rain, and the sight of living bodies buried under devastated buildings is all that remains in their memories of Homs. In Sea Prayer, Hosseini not only points out the way in which the war imposed by mighty powers upon Syria has destroyed the childhood of millions of innocent kids, but also highlights the emergency and the growing crisis of refugees being forced to leave their homes and approach smugglers in search of safe shelters which are in actuality not safe at all. A heartrending letter from a father to his son provokes in us the thought of the thousands of refugees who risk their lives on the threshold of death every year just in search of shelter, while many of them simply perish at sea without leaving anything behind. Every night they sleep among the remains of human flesh burnt by explosive bombs, with their own bodies stained by blood, dreaming of a better future – a hope for a safe shelter, a desire for a home. Carrying their misfortunes, they are longing for acceptance and searching for a place where they are welcomed. But no one cares. Not even the sea. The sea is deep. It is vast. A large swarm of unwelcomed and unasked bodies of flesh are waiting impatiently at the cold beach for the sun to rise. The father sees his son, his only precious cargo, and tries to console his sleeping being with his words, while praying that the sea knows his worth. It kills him every time he thinks of the depth and vastness of the sea and the helplessness of his own self. At this instant, the mother’s voice comes up: “Oh but if they saw, my darling. Even half of what you have. If they only saw. They would say kinder things, surely.” The book will make tears fall out of your eyes silently as the deep ocean engulfs the bodies of thousands of refugees fleeing war and persecution. Some pages are without any words, and here the illustrations speak more powerfully than words ever could. Quietly, they will make your heart wail in silence due to the barbarity of what we call human beings. Humans, the greatest creation ever to be created, that cannot even feel the pain of its fellow beings. Every word, every illustration in this book will leave a deep mark on your heart. The demonstration of the transformation of a peaceful, crowded and bustling Homs into the city of death; no one could have written this better than Hosseini. No words could carve out such an impression on a heart other than his own. This book deserved to be written purely, with a heart that could feel the pain and emotions of thousands of homeless Syrians, Afghans, Somalis and Iraqis. Then who would be better than Hosseini to write it? After all, no one could feel the pain of a refugee better than a refugee himself. As he stated, “If I was a father on a moonlit beach about to take one of these journeys, you can bet that I would... say one of these prayers too.” Sea Prayer is about questioning your own self: what would you have done if you had to abandon your home and cross a deep sea on a cold night? How would you have reacted if you had lost your loved ones in the same sea? Imagine them dead. Imagine their fates being ended as a feast for the sea. Imagine the struggle of their last breaths before they were taken forever. Imagine them being washed up by the sea at the shore itself. How would you have felt? Imagine how a father would have felt to see his three-year-old like this? Hosseini leaves the grave questions for the mighty powers of the world to ponder through his short work of fiction!

Is Pakistan’s N-CPEC+ vision finally beginning to take shape?

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Pakistan’s unique geostrategic location at the crossroads of East, South, West, and Central Asia enables it to function as the “Zipper of Eurasia”, as I wrote over half a decade ago in September 2015 for the Russian Institute of Strategic Studies. I built upon this observation in March 2019 to declare that the creative leveraging of the unprecedented trans-regional connectivity potential offered by CPEC enables Pakistan to become the Global Pivot State. This ambitious vision is finally beginning to take shape after Prime Minister Imran Khan and the Uzbekistani Minister of Transport agreed to pursue a trans-Afghan railway line on Wednesday. I previously proposed such a corridor in my April 2019 debut analysis for CGTN about how “CPEC+ Is The Key To Achieving Regional Integration Goals”, which described the northern branch of CPEC through Afghanistan into Central Asia as N-CPEC+ (“N” referring to North). Eventually, this corridor could expand as far northwards as Russia to create a new North-South integration axis across Eurasia which aligns with President Putin’s vision for the Greater Eurasian Partnership (GEP) like I explained in an academic article that I co-authored over the summer that was republished by the prestigious Russian International Affairs Council (RIAC). As Pakistan begins to take on a more prominent role in trans-Eurasian integration processes, its strategic importance to both China and Russia will continue to rise. Both Great Powers have a shared interest in the South Asian state fulfilling its destiny to unite the supercontinent through CPEC+. It’s only through this connectivity paradigm that a true Convergence of Civilisations can occur, like I explained in an analysis for CGTN in May 2019. The outcome of Eurasia’s diverse civilisations cooperating on trade and other forms of integration could powerfully discredit Huntington’s infamous prediction about a coming “Clash of Civilisations”. Russian, Chinese, and Pakistani interests are all directly served through N-CPEC+. Moscow’s regional allies can become more internally stable as their economies grow upon securing access to the global markets that this corridor provides through the Indian Ocean, as could Russia’s resource-rich Siberian region. Beijing, meanwhile, will see its Pakistani-based CPEC investments put to use as a springboard for trans-continental integration processes and could also secure contracts to construct parts of its northern branch expansion as well. As for Islamabad, it would financially benefit by having its ports facilitate Central Asian trade with the wider world. N-CPEC+ is therefore more than just a connectivity corridor, it’s a grand strategic concept for the future of intra-Eurasian relations in the emerging Multipolar World Order. Russia, China, and Pakistan are coming closer together as each country realises that they need the others in order to fulfill their shared vision of stability in the supercontinent. In fact, continued movement in this direction might even lead to the creation of a new multipolar trilateral between them to replace the stalled one between Russia-India-China (RIC). The end result could be that a Golden Ring rises between them, Iran, Turkey, and Azerbaijan in the Heartland of Eurasia. To be clear, this won’t happen overnight, but the progress that was just made on agreeing to the Peshawar-Kabul-Mazar-e-Sharif trans-Afghan railway shows that the political will is certainly present to take this vision to its ultimate conclusion with time. Some formidable obstacles still remain, however, such as the unresolved conflict in Afghanistan and the efforts of external powers like India to sabotage this vision. There are also obvious questions of financing and other issues related to project implementation, as well as identifying which companies in the region and beyond are most eager to immediately tap into this project upon its completion. Nevertheless, there are plenty of reasons to remain optimistic, especially since it’s becoming undeniable that Russia and China both appreciate the strategic significance of Pakistan’s N-CPEC+ initiative to their GEP and Belt & Road Initiative (BRI) respectively. In fact, as GEP and BRI continue to synergise their connectivity capabilities, their patron states are realising that N-CPEC+ is indispensable to the success of their joint vision for the supercontinent. This understanding is accelerating trilateral integration between them and therefore leading to one of the most exciting geopolitical developments of the 21st century thus far.
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